DARUSHIMO

(Source: walkietalkies)

oh…that’s great.

“Future Hipsters”

pretty great.

(Source: chime.in)

trailer for “Kristianne Baille”

(Source: andrewchip, via dpstyles)

(Source: walkietalkies)

yearoftheglitch:

Experimenting with making woven blankets out of images from Year of the Glitch. Here are some photos of tests. #32 is featured in there!

WANT

true story

Hardly anyone “surfs” the Web anymore. - Evgeny Morozov in “The Death of the Cyberflâneur”

From UPenn’s GRASP Lab, a swarm of quadcopters.

(Source: gizmag.com)

“My mom’s version of ad blocker” via reddits

Hesitation is a film where dancers are responding to the architecture of a distorted spacetime. In creating the work, the performers were shown a real time video system that distorted the place and timing of their movements. The video is a composition from the experimentation. A metaphor for the formation of relationship, Hesitation depicts two individuals encountering one another in a space where movement is met with disruption. As one attempts to understand the other through uncertain exchanges, they find themselves powerfully connected.

The score was created by Daniel Peterson in SuperCollider and MATLAB using the processes of wavelet analysis and synthesis and granular layering.

(Source: walkietalkies)

It strikes me that the current fetishization of analog technology has less to do with nostalgia than it does with an urge to slow down the transfer of data from the internal to the external, from the individual to the collective, and to make it all less instant, less ephemeral, less interchangeable, and more tangible, more linear and more contextual. “People my age are products of a culture of the capital-F Future,” William Gibson said in 2010. “The younger you are, the less you are a product of that. If you’re 15 or so today, I suspect that you inhabit a sort of endless digital Now, a state of atemporality enabled by our increasingly efficient communal prosthetic memory.” Maybe our desire to digitize and archive every little thing is not proof of a fear of forgetting. It’s a manifestation of our urge to remember how to remember. - Carina Chocano, NYTimes, via mediology

(Source: The New York Times)

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